Basilica and Expiatory Church of the Holy Family

Gaudí's unfinished expiatory basilica in Barcelona, the tallest church building in the world since its central tower topped out at 172.5 metres in 2026

Basilica and Expiatory Church of the Holy Family
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Essential info

Carrer de Mallorca 401, 08013 Barcelona

Visit details

April-September: Mon-Fri 09:00-20:00, Sat 09:00-18:00, Sun 10:30-20:00; March & October: Mon-Fri 09:00-19:00, Sat 09:00-18:00, Sun 10:30-19:00; November-February: Mon-Sat 09:00-18:00, Sun 10:30-18:00
€26 /adult
Verified: 2026-08-30

Overview

The Sagrada Família is Antoni Gaudí’s expiatory basilica in Barcelona’s Eixample, begun in 1882 and still a working building site. Since the exterior of the central tower of Jesus Christ was finished on 20 February 2026 it has been the tallest church building in the world at 172.5 metres, eleven metres above Ulm Minster. Eighteen spires are planned and fourteen now stand: eight apostles across the Nativity and Passion façades, the four Evangelists, the Virgin Mary and Christ.

The reason to go inside rather than photograph it from the park is the roof. Gaudí’s columns split as they rise, like trunks into branches, and carry vaults 45 metres above the central nave, 60 metres over the crossing and 75 metres over the apse. The glass does the rest. Colour moves across the nave through the day, cool early and hot late, because the Nativity side looks east over the Eixample and the Passion side faces the city centre.

The two finished façades were never meant to match. Gaudí built the Nativity side first, loaded with plants and animals carved in the round, on the reasoning that donors give more readily to something they can already see. The Passion side is its opposite: angular, gaunt figures under a bare portico, and a four-by-four magic square whose rows and columns add up to 33 rather than the usual 34. The third and largest façade, the Glory, is still going up, which is why the cranes are not going anywhere soon.

It is also a functioning parish church, not a museum with pews. In 2025 the Archdiocese of Barcelona held 103 international masses here for 84,214 worshippers, and 343,276 people came to sit in the Chapel of the Holy Sacrament without doing the tourist route at all. Just under 4.9 million visitors came through in the same year, a rise of 0.91% on 2024, with Americans the largest single group at 15.07%.

If you want to know where the work stands right now, watch the crane. It went up in May 2024 with the tip of its jib 203 metres off the ground, and in July 2026 it was cut down to 174 metres because nothing left to build is that tall. Its next job is the Glory façade towers, which top out at 120 metres. Elsewhere on site the Chapel of the Assumption has reached 8 metres of an eventual 30, and the tower of Matthias is being restored. Barcelona has been living with this for 144 years and shows no sign of hurrying.

History

The first stone went down on 19 March 1882, under the architect Francisco de Paula del Villar, for a conventional neo-Gothic church commissioned by the bookseller Josep Maria Bocabella. Villar resigned on 18 March 1883 with little more than the crypt built. Gaudí replaced him and was formally appointed Architect Director on 28 March 1884. Villar’s crypt is still down there, and so is Gaudí.

Gaudí kept the footprint and threw out almost everything above it. He worked from hanging chain models and plaster rather than finished drawings, expecting later architects to resolve the details as techniques improved, and he lived on the site for his last years. He died in 1926 with less than a quarter of the project complete.

Working from models rather than plans was a deliberate bet on time. Gaudí’s line about the schedule, “My client is not in a hurry”, is the one everyone quotes, and the method matched it: get the geometry right in three dimensions, leave the execution to whoever is holding the chisel in fifty years. It also made the project unusually fragile, because the models were the drawings. When they were destroyed, the instructions went with them.

Francesc de Paula Quintana took over the site in 1939 and work crept forward for decades. Josep Maria Subirachs began leading the Passion façade sculpture in 1987, in a hard, faceted style that Barcelona has argued about ever since, while the Japanese sculptor Etsuro Sotoo rebuilt Nativity statues lost in the war.

Even the stone changed. The original blocks came from Montjuïc, but the deeper the quarry went the more fragile the stone became, and since 2018 the material has come from Withnell Quarry at Brinscall, near Chorley in England.

Two dates gave the site its current status. In 2005 UNESCO extended the Works of Antoni Gaudí inscription to cover the crypt and the Nativity façade, so only the two oldest parts of the building carry World Heritage listing. On 7 November 2010 Pope Benedict XVI consecrated the church, which is when it became a basilica rather than a very large construction project with a chapel in it.

The tower of Jesus Christ passed Ulm Minster on 30 October 2025 and its exterior was completed on 20 February 2026. The basilica blessed and inaugurated it on 10 June 2026, straight after a solemn mass marking the centenary of Gaudí’s death.

The centenary programme ran all year rather than on one date. A Lent concert with the Orfeó Català marked 19 March 2026, the anniversary of the first stone, and the closing concert with the Escolania de Montserrat is set for 23 December 2026 with the Nativity façade lit. An exhibition on the shared chronology of the basilica and the city, “La Sagrada Família i Barcelona, 144 anys de camí compartit”, ran at the Palau Robert gardens from 6 May to 26 July 2026.

What remains is the hardest part politically. The Glory façade needs a 57 metre stairway carried over Carrer de Mallorca, and the plan behind it would clear two city blocks. Decorative work on the rest of the building is expected to run to somewhere between 2030 and 2032.

Visiting

Visitors go in from Carrer de la Marina, under the Nativity façade, not from the postal address on Carrer de Mallorca that shows up on maps. Metro lines L2 and L5 stop at Sagrada Família, and buses 19, 33, 34, D50, H10 and B24 run past.

Hours run by season and Sundays always open late. April to September: Monday to Friday 09:00 to 20:00, Saturday 09:00 to 18:00, Sunday 10:30 to 20:00. March and October: Monday to Friday 09:00 to 19:00, Saturday 09:00 to 18:00, Sunday 10:30 to 19:00. November to February: Monday to Saturday 09:00 to 18:00, Sunday 10:30 to 18:00. On 25 and 26 December and on 1 and 6 January the basilica closes at 14:00.

Four tickets, one building. The basic ticket is €26 and covers the basilica and the museum with the audioguide app; a tower adds €10 for €36; a guided tour is €30; guided tour plus tower is €40. Seniors pay €21 basic, under 30s and students €24, and under 11s and visitors with a disability go free. Note what the basic ticket does not include: the towers and the crypt.

Slots are released roughly two months out and that is the window to aim for. If you have not booked, there are direct-purchase QR codes around the building, but availability depends on how full the day already is. Bags, rucksacks, luggage and camera gear go through a check with metal detectors at the entrance, and outside food and drink are refused.

The audioguide is not a handset. You download it through the official app onto your own phone, in 19 languages plus sign-guides in Catalan, Spanish and International Sign, either as a 45 minute standard version or a 25 minute express one, with an augmented reality layer called “What you don’t see” for parts of the building you cannot walk into. It is not adapted for children under 10. Bring earphones and a charged phone, because from 09:00 to 10:00 every day the basilica runs a quiet hour for prayer during which audio without earphones is not allowed and visitors are asked not to talk.

Inside, allow about an hour on the basic ticket and an hour and a half if you add a tower. The organ installed for the 2010 consecration is small against the volume of the nave, 26 stops and 1,492 pipes, and the finished building is planned to hold instruments totalling roughly 8,000.

The museum sits at the end of the route and is the part most people walk past on the way to the shop. It covers the design history and Gaudí’s working method, which is the context that makes the models and the geometry legible rather than decorative. Since the basic ticket already pays for it, skipping it is the one genuinely wasteful thing you can do here. The crypt is a separate matter: it is not on the basic ticket at all, though Gaudí is buried there.

Tower tickets buy one tower, not both. The Nativity tower looks east across the Eixample; the Passion tower looks over the city centre. A lift takes you up and you walk down, no bags or rucksacks are allowed up for safety, and the only lockers on site are the ones for holding those bags while you climb.

Everything except the towers is accessible. Visitors with a disability or reduced mobility use entrance B on Carrer de la Marina, where wheelchairs can be requested subject to availability, and guide dogs are admitted. There is a medical centre on site staffed by healthcare professionals, and defibrillators along the route.

Tips

  • Buy at the two-month mark. Tickets go on sale roughly two months before the visit date, and that is when the awkward slots, first thing and last thing, are still there.

  • Bring the passport or national ID card that matches the name on the ticket. Names cannot be changed after booking, and the document is checked at the door.

  • The 09:00 slot is the quietest and the strictest. Quiet hour runs to 10:00, so you get the nave without the noise, but earphones are compulsory for any audio and talking is discouraged.

  • Under 30 with a Carnet Jove takes 50% off. Choose the “Under 30” option when booking online, then select Carnet Jove and enter your ID number, and the discount applies automatically.

  • Large and single-parent families also get 50%, but not at the checkout. Email descomptes@ext.sagradafamilia.org at least 48 hours before the visit with proof.

  • Free entry with a current DARDO unemployment certificate, Wednesdays only, 09:00 to 12:00, requested by email at least 48 hours ahead.

  • Dress for a Catholic church and check the detail. No see-through clothing, no swimwear, trousers and skirts to at least mid-thigh, no bare feet, and no hats inside the nave or the museum unless there is a religious, health or belief reason. Bare shoulders are refused in the Chapel of the Holy Sacrament specifically.

  • Leave the tripod at the hotel. Tripods are banned without prior press accreditation, and so is anything shot for commercial or promotional use without written permission.

  • Eat before or after, never inside. Smoking and eating are prohibited on the premises and drinking is only allowed outside the building, so plan the coffee stop for afterwards.

  • Living in the city helps. A resident ticket launched in December 2025 and 10,201 people had used it by February.

Two other free routes exist and both are worth diarising if your dates are flexible. The basilica runs Open Doors Days, which drew 28,500 visitors in 2025, and on Sant Jordi anyone called Jordi or Jordina in any language gets in free: 3,884 people took that up. There is also a social visits programme, 326 guided tours in 2025 for 6,320 people from vulnerable groups, arranged through organisations rather than booked online.

  • If you are pairing this with the rest of Gaudí’s Barcelona, check the Gaudí House Museum before you go. It sits in Park Güell, management passed to BSM in 2024, and it is currently closed. Casa Batlló and La Pedrera are the two Eixample houses that fill an afternoon either side of a morning here.

  • Groups of ten or more cannot just buy ten tickets. Group bookings go through reserves@ext.sagradafamilia.org, are charged for a minimum of ten people even when smaller, and must be accompanied by a guide accredited by the Government of Catalonia.

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